DZOFILM Pavo 32mm T2.1 Lens - PL + EF mount - Feet (Neutral Coating)

The DZOFilm Pavo 2x anamorphic cinema lenses are designed for filmmakers seeking a widescreen cine...

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Wex Photo VideoDZOFILM Pavo 32mm T2.1 Anamorphic Lens - Black/Grey - Metal
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Product Information

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The DZOFILM Pavo 32mm T2.1 anamorphic lens is for filmmakers aiming for a distinct widescreen cinematic aesthetic. Its key benefit is the 2x anamorphic magnification, producing a 2.39:1 aspect ratio with characteristic "waterfall" bokeh and horizontal flares, all within a compact and durable all-metal build. A potential caveat is the specific look it provides, which may not suit all projects, and its suitability typically aligns with mid-to-high budget productions due to its professional features.

All features

BrandDZOFILM

Extended Product Information

FAQs

What is the primary advantage of using a 2x anamorphic lens like the Pavo 32mm?

The primary advantage is achieving a true 2.39:1 widescreen aspect ratio with inherent horizontal compression, which provides a wider field of view and distinct cinematic "look" including oval bokeh and horizontal flares.

Does this lens require special handling in post-production?

Yes, anamorphic lenses require 'de-squeezing' in post-production software to correct the horizontal compression and display the image in its proper aspect ratio.

What does the 'Neutral Coating' refer to on the specific model?

The Neutral Coating version of the Pavo lens is designed to produce a more subdued, neutral-colored horizontal flare, often preferred for a cleaner, more modern cinematic aesthetic, inspired by sci-fi looks.

Can this lens be used with full-frame cameras?

The 32mm lens itself may provide coverage on some full-frame sensors, but for complete and optimal full-frame coverage, the DZOFILM Marlin 1.6x Expander is recommended.

What is the minimum focusing distance?

The minimum focusing distance is 0.4 meters (approximately 1.3 feet), allowing for detailed close-up shots with a significant anamorphic effect.

How does the bokeh look with this lens?

The lens features a 16-blade aperture designed to create distinctive oval-shaped bokeh, often described as "waterfall" bokeh, which is a hallmark of anamorphic lenses.

Is this lens suitable for handheld shooting?

While the lens is relatively compact and lightweight for an anamorphic lens, its best performance is typically achieved on stabilized systems like gimbals, Steadicams, or tripods due to its specific optical characteristics and potential for focus breathing.

Troubleshooting

Image appears distorted or stretched horizontally.

This is expected anamorphic behavior. Ensure anamorphic de-squeeze (2x) is enabled in your camera's monitor settings or your editing software during playback.

Lens is not recognized by the camera (EF mount).

Check that the EF mount is securely attached to the lens and the camera. Ensure the camera's electronic contacts are clean. Try re-mounting the lens.

Focusing feels stiff or sticky.

Ensure the lens is within its operating temperature range. Extreme cold can make focusing mechanisms stiff. Avoid forcing the focus ring. If the issue persists, contact support.

Soft image quality or poor resolution.

Verify that the back-focus is correctly set for your camera. Ensure the lens is clean and free of dust or smudges. Check that the aperture is not stopped down too far, which can sometimes reduce sharpness.

Lens element has smudges or fingerprints.

Gently use a lens blower to remove loose dust. For smudges, apply a small amount of lens cleaning fluid to a microfiber lens cloth and gently wipe the element in a circular motion, starting from the center and moving outwards.

Pros and Cons

Pros

  • Achieves a classic widescreen cinematic look with 2x anamorphic compression.
  • Excellent low-light capability due to T2.1 aperture.
  • Unique bokeh and flare characteristics add artistic flair to footage.
  • Durable, all-metal construction for professional use.
  • Compact and lightweight, making it suitable for stabilized camera systems.
  • Minimal breathing ensures focus remains stable during camera movements.

Cons

  • Anamorphic "artifacts" (like horizontal streaking flares and oval bokeh) may not be desired for all projects.
  • 2x compression can be more challenging to de-squeeze and manage in post-production compared to 1.33x.
  • Its specific aesthetic is geared towards certain genres, potentially limiting versatility.
  • Requires de-squeezing in post-production or during monitoring.
  • Higher cost may position it outside the budget for independent or student filmmakers.

Setup, Compatibility & Care

Compatibility:

  • The DZOFILM Pavo 32mm T2.1 lens typically comes with interchangeable PL and EF mounts, allowing for broad compatibility with cinema cameras. Ensure the correct mount is attached for your camera system.
  • For full-frame cameras, the optional DZOFILM Marlin 1.6x Expander can be used to achieve full-frame coverage.

Setup:

  1. Mounting: Carefully attach the lens to your camera body, ensuring the correct mount (PL or EF) is engaged. Rotate until it locks into place.
  2. Focus & Aperture Rings: The lens features distinct rings for focus and aperture. Familiarize yourself with their rotation direction and marked scales.
  3. Back-Focus Adjustment: If needed, use the built-in back-focus adjustment mechanism to fine-tune the lens's flange distance for optimal sharpness on your specific camera.
  4. De-Squeezing: For monitoring and post-production, an anamorphic de-squeeze function (usually 2x) will be required in your camera's display settings or editing software to view the image in its correct aspect ratio.

Care:

  • Cleaning: Use a blower bulb to remove dust from the lens elements. For smudges, use a microfiber lens cloth and a small amount of lens cleaning solution applied to the cloth, not directly to the lens.
  • Storage: Store the lens in its protective case in a cool, dry environment. Avoid extreme temperatures and humidity.
  • Handling: Always handle the lens by its body, avoiding pressure on the focus or aperture rings. Use a lens hood when appropriate to protect the front element and reduce flare.

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