SIRUI Night Walker T1.2 Super35 Format Kino-Objektiv Serie - Black / 2 Lenses Set / MFT

Name: SIRUI Night Walker T1.2 Super35 Format Kino-Objektiv Serie - Black / 2 Lenses Set / MFT
Brand: Sirui
SKU: kmzeaa2n6g
Availability: InStock

Schnelle Blende Produktvergleich SIRUI hat bereits 24 mm, 35 mm und 55 mm auf den Markt gebracht. ...

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Sirui Night Walker 35Mm T1.2 Cine Lens (L Mount) Ms35l-B

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Scan ComputersSirui Night Walker 35Mm T1.2 Cine Lens (L Mount) Ms35l-B

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OnBuy.comSirui Night Walker 35Mm Manual Focus Cine Lens, T1.2 Large Aperture S35 Frame Prime Lens For L Mount Cameras, For Sigma Fp, S5/S5ii/S5iix, Dc-Bgh1 6952060058047

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Wex Photo VideoSirui Nightwalker 16mm & 75mm T1.2 S35 Cine Prime Lens Set - E-Mount - Black

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Product Information

Full details

The SIRUI Night Walker T1.2 Cine Lens series is designed for filmmakers seeking exceptional low-light performance and cinematic image quality in a compact, lightweight package. This lens excels at capturing detailed, high-sharpness images with minimal focus breathing and beautiful bokeh, even in challenging lighting conditions. While offering great value, users should be aware that the series primarily covers APS-C/S35 formats, limiting its native use on full-frame systems without cropping. The set includes key focal lengths for versatile shooting scenarios.

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Brand	Sirui

Extended Product Information

FAQs

What camera sensor sizes are these lenses designed for?

The SIRUI Night Walker T1.2 Cine lenses are primarily designed for APS-C and Super35 (S35) format sensors. They can be used on full-frame cameras, but coverage will be limited, resulting in a cropped image.

Do these lenses have autofocus capabilities?

No, the SIRUI Night Walker T1.2 Cine lenses are manual focus lenses. They are designed for filmmakers who prefer precise manual control over focus.

What does 'T1.2' aperture mean?

T1.2 refers to the actual light transmission of the lens. This is a crucial measure for cinematographers, indicating how much light reaches the sensor, which is more precise than f-stop for exposure consistency, especially in low light.

How do the different focal lengths compare to full-frame equivalents?

The 16mm lens offers a wide field of view suitable for landscapes and interiors. The 24mm, 35mm, and 55mm lenses provide standard perspectives similar to 34mm, 49mm, and 77mm on full-frame respectively. The 75mm lens gives a telephoto view equivalent to approximately 113mm on full-frame, ideal for portraits.

Can I use filters with these lenses?

Yes, all SIRUI Night Walker T1.2 Cine lenses feature a unified 67mm filter thread, allowing you to use standard filters consistently across the range.

What is 'focus breathing' and why is it important?

Focus breathing is the change in the lens's field of view when the focus is adjusted. The SIRUI Night Walker lenses are designed to minimize this effect, ensuring that the image composition remains stable during focus pulls, which is essential for professional video production.

What comes in the box with a single lens purchase?

A single lens package typically includes the lens, a package box, a protective pouch, a warranty card, and a service card.

Are the lenses available in different colors?

Yes, the SIRUI Night Walker T1.2 Cine lenses are available in two color options: classic black and vintage metal grey.

Troubleshooting

Lens not focusing properly

Ensure the lens is securely mounted on the camera body. Verify that manual focus mode is engaged on both the lens and camera. Check if the minimum focus distance (0.3m for 16mm, 0.7m for 75mm, etc.) is being respected.

Image appears soft or lacks sharpness

Confirm you are shooting at an appropriate aperture. While designed for T1.2, peak sharpness may be achieved at slightly stopped-down apertures (e.g., T2.0-T2.8). Ensure accurate manual focus. Clean the lens elements with a microfiber cloth.

Focus ring is stiff or difficult to turn

Check for any obstructions around the focus ring. If the issue persists, especially after a long period of non-use or exposure to adverse conditions, professional servicing may be required.

Inconsistent color rendition between lenses

While the series aims for a matched color tone, minor variations can occur. Utilize your camera's white balance settings effectively. For critical color work, consider minor color correction in post-production or using the same lens for all shots requiring identical color grading.

Pros and Cons

Pros

Exceptional low-light performance due to T1.2 aperture.
Minimal focus breathing for smooth cinematic focus transitions.
High image sharpness and controlled aberrations across focal lengths.
Consistent mechanical and optical characteristics for efficient workflow.
Lightweight and compact design enhances usability with various camera rigs.
Affordable price point for professional-grade cine optics.

Cons

Primarily designed for APS-C/S35 sensors; not native full-frame coverage.
Focusing is manual; autofocus is not supported.
While distortion is controlled, extreme wide-angle (16mm) may still exhibit some characteristics.
Specific lens weights can vary slightly by mount, though overall they are light.

Setup, Compatibility & Care

Compatibility: The SIRUI Night Walker T1.2 Cine lenses are available in various mounts including E, X, RF, MFT, and L. Ensure you select the correct mount for your camera system. All lenses in the series share a unified 67mm filter thread, simplifying the use of filters across different focal lengths.

Setup: These are manual focus lenses. Mount the lens onto your camera by aligning the lens mount index with the corresponding mark on the camera body and twisting until it locks. Engage manual focus mode on your camera if available. The de-clicked aperture ring allows for smooth, stepless adjustments, ideal for video.

Care: To maintain optimal performance and longevity:

Cleaning: Use a soft, lint-free microfiber cloth to clean the lens elements. For stubborn smudges, use a lens cleaning solution sparingly on the cloth, not directly on the lens. Avoid touching the glass with your fingers.
Storage: Store lenses in their provided protective pouches or a padded camera bag when not in use. Protect them from extreme temperatures, humidity, and dust.
Handling: Always handle lenses with care. Avoid dropping or subjecting them to impact. When changing lenses, do so in a clean environment to prevent dust from entering the camera body or lens.
Mount Protection: When the lens is not mounted on the camera, attach the rear lens cap to protect the rear element and mount.