SIRUI Night Walker T1.2 Super35 Format Kino-Objektiv Serie - Black / 16mm / MFT

The SIRUI Night Walker T1.2 Super35 Format Kino-Objektiv Series offers exceptional low-light perfo...

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Wex Photo VideoSirui Nightwalker Series 16mm T1.2 S35 Cine Lens - Manual Focus - Black - 0.3m
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£379.00
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Wex Photo VideoSirui Nightwalker Series 16mm T1.2 S35 Manual Focus Cine Lens for Micro Four Thirds - Black
Free delivery in 1–3 days
£338.00
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Product Information

Full details

The SIRUI Night Walker T1.2 Super35 Format Kino-Objektiv Series is designed for filmmakers and videographers seeking exceptional low-light performance and shallow depth of field. Its primary benefit is the ability to shoot in dimly lit environments without compromising image quality, thanks to its fast T1.2 aperture. A potential caveat is its specific Super35 format, which users should confirm compatibility with their camera. This lens series excels in capturing beautiful bokeh and sharp details, minimizing distortion for natural-looking footage, and offers a close minimum focus distance for creative shots. It is available in various focal lengths, sharing a consistent design and image character across the series.

All features

BrandSirui

Extended Product Information

FAQs

What is the main advantage of the T1.2 aperture?

The T1.2 aperture allows the lens to capture significantly more light, enabling shooting in very dark conditions without resorting to high ISO settings, which helps maintain clean images with less noise. It also provides a very shallow depth of field for creative background blur (bokeh).

Is this lens suitable for full-frame cameras?

This lens is designed for Super35 format sensors. While it might mount on a full-frame camera, it will produce a cropped image. For full-frame coverage, you would need to use a different lens or accept the Super35 crop.

How does the consistent design across the series benefit users?

The series shares similar physical dimensions, weight distribution, and gear positions for focus and aperture. This means that when switching between different focal lengths in the Night Walker series, your camera rig, follow focus, and matte box settings require minimal to no adjustment, saving time during production.

What does 'T-stop' mean compared to 'F-stop'?

A T-stop (Transmission stop) measures the actual amount of light transmitted through the lens, accounting for light loss within the lens elements. An F-stop is a theoretical ratio. For cinema lenses, T-stops are preferred for accurate exposure consistency between different lenses.

Can I use filters with this lens?

Yes, the lens features a unified 67mm filter thread, allowing you to attach standard filters for various photographic and videographic needs.

What types of lenses are included in the Night Walker series?

The SIRUI Night Walker T1.2 Super35 Format Kino-Objektiv Series typically includes focal lengths such as 16mm, 24mm, 35mm, 55mm, and 75mm, all sharing the T1.2 aperture and consistent design.

How durable is the lens construction?

The lenses are constructed with a robust aluminum alloy body, designed to withstand the demands of professional filmmaking and provide long-term reliability.

Troubleshooting

Lens is not focusing properly

Ensure the lens is securely mounted to the camera. Practice manual focusing; the 270° throw requires deliberate movement. Check if the focus ring is set to the correct distance for your scene.

Image appears soft or blurry

Confirm the lens is set to its sharpest aperture (typically 1-2 stops down from T1.2, e.g., T2 or T2.8). Ensure focus is accurately set for the subject distance. Clean the lens elements if smudges are present.

Difficulty changing lenses quickly

Ensure the camera is powered off before changing lenses. Practice the mounting and dismounting procedure. Verify that any lens support system is not obstructing the lens release mechanism.

Lens mount feels loose

Double-check that the lens is fully seated and locked into the camera mount. If the issue persists, inspect the camera mount and lens mount for any visible damage. Contact support if damage is suspected.

Pros and Cons

Pros

  • Excellent low-light capability due to the fast T1.2 aperture.
  • Produces beautiful, creamy bokeh for subject isolation.
  • Minimizes distortion for clean, natural-looking footage.
  • Consistent design across the series facilitates efficient workflow.
  • Compact and lightweight for easy handling and travel.
  • Affordable entry into cinema-style lenses.

Cons

  • Specifically designed for Super35 format, may not be ideal for full-frame cameras without cropping.
  • Focus breathing might be present, common in fast cinema lenses.
  • Manual focus only, requiring precise user control.
  • Availability of specific mounts may vary.

Setup, Compatibility & Care

Setup:

  1. Mounting: Align the lens with the camera's mount index mark and rotate until it clicks into place. Ensure the correct mount adapter is used if necessary for your specific camera.
  2. Focusing: This is a manual focus lens. Rotate the focus ring to achieve sharp focus. The large focus throw (270°) allows for precise adjustments.
  3. Aperture Control: Adjust the aperture by rotating the aperture ring to control depth of field and light intake.

Compatibility:

  • This lens is designed for cameras with Super35 format sensors. Verify compatibility with your camera's sensor size and lens mount (e.g., MFT, RF, L-mount). Adapters may be available for other systems.
  • Check camera manufacturer specifications for lens mount compatibility.

Care:

  • Cleaning: Use a soft lens brush or a microfiber lens cloth to gently remove dust from the lens elements. For stubborn smudges, use a lens cleaning solution sparingly on the cloth, never directly on the lens.
  • Storage: Store the lens in its protective pouch or a dry, dust-free environment. Use the provided lens caps to protect the front and rear elements.
  • Handling: Avoid dropping the lens or exposing it to extreme temperatures or moisture. Regularly check for any loose parts, especially after heavy use.

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