Sigma Cine FF Classic Art Prime 10-Lens Set (Metres)

Craft a vintage aesthetic using Sigma's Cine FF Classic Prime Lens set of 10 lenses with graduatio...

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Wex Photo VideoSigma Cine FF Classic Prime Lens Set - 10 Lenses - Metres
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This Sigma Cine FF Classic Art Prime 10-Lens Set is designed for filmmakers seeking to capture a distinct vintage aesthetic. Its key benefit is the authentic replication of classic cinema looks through controlled ghosting, flaring, and lower contrast, enhanced by a 9-bladed iris for smooth bokeh. A potential caveat for users accustomed to imperial measurements is that this set features graduation markings in metres.

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BrandSigma

Extended Product Information

FAQs

What is the main advantage of the 'Classic' design compared to modern lenses?

The 'Classic' design intentionally introduces controlled ghosting, flaring, and lower contrast to replicate the aesthetic of vintage cinema lenses, offering a distinct artistic look not found in modern, high-contrast lenses.

Are these lenses suitable for very sharp, modern digital looks?

While they retain high resolution, their 'Classic' design prioritizes an artistic, vintage feel with intentional optical aberrations. For a purely modern, clean digital look, other lens lines might be more suitable. These lenses excel when their unique character is desired.

What does 'graduation markings in metres' mean?

It means the focus and depth of field scales on the lens barrel are marked using the metric system (e.g., 1.5m, 2m, 3m) rather than imperial units (feet).

How does the 9-bladed iris affect the image?

The 9-bladed iris helps create smoother, more circular, and aesthetically pleasing bokeh (out-of-focus areas) compared to lenses with fewer aperture blades.

Can I use these lenses with non-PL mount cameras?

These lenses come with a PL mount. Adapters to other mount systems may exist, but compatibility and performance are best guaranteed when used with native PL mount cinema cameras.

What is the meaning of 'T value'?

The T-stop (Transmission stop) measures the actual amount of light transmitted through the lens, which is more accurate for cinematography than an F-stop (which is a theoretical calculation).

How does Cooke /i Technology compatibility benefit my workflow?

It allows the lens to communicate metadata like focal length, aperture, and focus distance directly to the camera and editing software, which is invaluable for VFX, post-production, and precise data logging.

What is the difference between this 'Classic' set and Sigma's 'High Speed' Cine lenses?

The 'Classic' set is designed to emulate vintage lens characteristics with controlled aberrations and lower contrast. The 'High Speed' primes typically offer sharper images, higher contrast, and cleaner performance for a more modern look.

Troubleshooting

Lens not communicating with camera (for /i Technology features)

Ensure the camera's /i Technology contacts are clean and the lens is securely mounted. Verify that the camera's firmware supports /i Technology communication and that the feature is enabled in the camera's settings.

Image appears too soft or lacks sharpness

Confirm the lens is properly focused. Check if the 'vintage' characteristics (low contrast, intentional flare) are being interpreted as a lack of sharpness. Ensure the aperture is set appropriately for the desired depth of field and sharpness.

Focus ring is stiff or difficult to turn

Gently try to free the focus ring. If it remains stiff, do not force it. Contact Sigma support or a qualified repair technician, as internal lubrication or adjustment may be needed.

Dust or debris on lens elements

Use a lens blower to remove loose particles first. Then, use a clean microfiber lens cloth. For persistent dirt, use a dedicated lens cleaning solution applied sparingly to the cloth, not the lens.

Inconsistent color between lenses

While designed for consistency, minor variations can occur. Ensure camera white balance is set correctly and consistently. If significant discrepancies persist, consider having the lenses checked by a service center.

Pros and Cons

Pros

  • Authentic vintage cinematic look with controlled flares and low contrast.
  • Comprehensive set of 10 lenses covering a wide range of focal lengths.
  • Consistent color science across all lenses simplifies post-production.
  • High resolving power suitable for modern high-resolution cinematography (6K-8K).
  • Smooth, artistic bokeh thanks to the 9-bladed iris.
  • Compatibility with Cooke /i Technology for advanced workflows.

Cons

  • Intentionally lower contrast and added flaring may not suit all modern clean digital aesthetics.
  • Focus markings are in metres, which might require adjustment for users accustomed to imperial measurements.
  • The distinct vintage look might necessitate more post-production effort for certain projects.
  • The kit is an investment, with the cost reflecting its professional-grade nature and comprehensive lens selection.
  • While durable, cine lenses are sensitive equipment and require careful handling.

Setup, Compatibility & Care

Setup: These lenses feature a PL mount and are designed for professional cinema cameras equipped with compatible mounts. Ensure the camera body is clean before attaching the lens to prevent dust ingress. Mount the lens by aligning the red dot on the lens with the corresponding mark on the camera mount and rotating until it locks securely.

Compatibility: The FF Classic Prime lenses are compatible with full-frame sensors and are designed to resolve imagery for high-resolution shooting up to 8K. They utilize the PL mount system, which is standard on many professional cinema cameras. They also support Cooke /i Technology communication protocols.

Care: To maintain optimal performance and longevity:

  • Always store lenses in their provided hard cases when not in use to protect them from dust, moisture, and physical impact.
  • Clean lens elements using a blower bulb to remove loose dust, followed by a microfiber lens cloth. For stubborn smudges, use a lens cleaning solution sparingly on the cloth, never directly on the glass.
  • Avoid touching the lens elements with your fingers. Handle lenses by their barrels.
  • Keep lenses away from extreme temperatures and humidity.
  • Regularly check the lens mount for any signs of wear or damage.

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