Harman Switch Azure 125 Colour Film - 35mm - 36 Exposures

Harman Switch Azure 125 is a creative 35mm ISO 125 colour negative film designed for standard C-41...

Best current price£12.50from Wex Photo Video

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4 offers from £12.50 - £16.95

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Wex Photo VideoHarman - Switch Azure 125 - 35mm Film
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London Camera ExchangeHarman Orange/Purple/Blue Switch Azure 125 Colour Film (35Mm Roll Film, 36 Exposures)
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Park CamerasHarman Switch Azure 125 135-36 Box 148957
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eBayHarman SWITCH AZURE - 36 Exp 35mm Colour Film - 135-36 - NEW
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Product Information

Full details

Harman Switch Azure 125 is a 35mm colour negative film tailored for creative photographers who want to push the boundaries of traditional colour palettes. By shifting standard hues—turning blues into orange, yellows into azure, and reds into moody purples—this film delivers an artistic, experimental aesthetic that breathes new life into everyday subjects, though it is best reserved for artistic projects rather than tasks requiring accurate color reproduction.

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BrandHarman

Extended Product Information

FAQs

Can I develop this at any local photo lab?

Yes, as long as the lab offers standard C-41 colour negative processing.

Does this film require special camera settings?

No, it is a standard 35mm film that works with any camera, though an ISO setting of 125 should be used.

Is this film suitable for professional portraits?

Only if you are seeking a highly stylized, non-traditional artistic look, as the film shifts natural skin tones significantly.

How many exposures do I get?

This film provides 36 exposures per roll.

Why does the blue sky look orange in my prints?

That is the signature effect of the Harman Switch Azure 125, which intentionally shifts blue hues toward orange.

Should I push or pull this film?

It is designed for standard development; pushing or pulling is not recommended unless you are intentionally experimenting with extreme colour shifts.

Troubleshooting

Photos appear overly dark or underexposed

Ensure your camera's internal light meter is set correctly for ISO 125 or use an external light meter for precision.

Colours do not look as expected

The film's look relies on the scanner's white balance; request 'flat' scans from your lab to allow for manual colour correction.

Pros and Cons

Pros

  • Unique, artistic colour shifts for creative expression
  • Uses standard C-41 chemistry for easy lab access
  • Fine grain structure for high-quality detail
  • DX-coded for seamless integration with auto cameras

Cons

  • Not suitable for applications requiring color accuracy
  • Results vary based on scanner settings and light conditions
  • Requires experimentation to master the shift effects

Setup, Compatibility & Care

This film uses a standard 35mm format and fits any 35mm camera. Because it is DX-coded, your camera will automatically detect the ISO 125 setting. To ensure the best results, load the film in subdued light to prevent fogging the leader. After shooting, store the exposed roll in a cool, dry place and ensure your lab is aware that this is a C-41 process film. When mailing to a professional lab, clearly label your roll so it is not mistaken for a standard consumer film requiring balanced color correction. Avoid leaving the camera in hot cars or high-humidity environments, as extreme temperatures can accelerate chemical degradation of the film stock.

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