Sirui Astra Series 50/75/100mm T1.8 Full-frame AF Anamorphic Cine Lens Kit (L Mount, Blue Flare)

The Sirui Astra Series 50mm, 75mm and 100mm T1.8 is a full-frame anamorphic cine lens kit built ar...

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Wex Photo VideoSirui Cine Lens Kit - Full-frame Anamorphic - 50/75/100mm T1.8 - L Mount
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Product Information

Full details

The Sirui Astra Series lens kit is designed for full-frame camera users seeking a cinematic widescreen look with the distinctive character of anamorphic lenses. Its key benefit is achieving a 2.35:1 aspect ratio from a 16:9 sensor with minimal cropping, complemented by a fast T1.8 aperture for low-light performance and creative focus control. A potential consideration is the specific mount compatibility, so users must ensure it matches their camera system.

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BrandSirui

Extended Product Information

FAQs

What is the main advantage of an anamorphic lens?

Anamorphic lenses allow you to capture a wider field of view (typically 2.35:1 aspect ratio) from a standard sensor format (like 16:9) by horizontally compressing the image. This results in a cinematic widescreen look with distinctive oval bokeh and horizontal lens flares.

Does the T1.8 aperture mean it's f/1.8?

T-stop (T1.8) measures the actual amount of light transmitted through the lens, which is more accurate for exposure than an f-stop. While related, T-stops are generally more precise for cine lenses, especially when comparing exposure between different lenses. T1.8 is a fast aperture suitable for low light.

Can I use these lenses on crop sensor cameras?

While designed for full-frame, they can be used on crop sensor cameras. However, the effective focal length and field of view will be narrower due to the crop factor, and the full anamorphic effect might be altered depending on the specific sensor size and how you choose to frame your image.

How do I switch between blue flare and neutral flare?

The kit comes with either a blue flare or neutral flare version. You select the desired flare characteristic when purchasing the lens kit. It is not a switchable feature on the lens itself.

What is the minimum focusing distance for each lens?

The minimum focus distances vary by focal length: 50mm is 0.5m (1.64 ft), 75mm is 0.6m (1.97 ft), and 100mm is 0.7m (2.30 ft).

How does the autofocus work with these lenses?

The lenses feature built-in autofocus motors that communicate with compatible camera bodies (L, E, Z mounts). The camera's AF system controls focus, allowing for single-shot AF and continuous AF modes, depending on camera settings and firmware support.

What does 'triple protection' mean for the build quality?

Triple protection refers to the lens's construction being resistant to dust, dirt, and rain, making it more durable and reliable for shooting in challenging environmental conditions.

Troubleshooting

Autofocus is slow or hunting

Ensure your camera's firmware is up to date, as this often improves AF performance with third-party lenses. Check that the AF/MF switch on the lens is set to AF. Try selecting a specific focus point on your subject.

Image is not sharp

Verify the lens is securely mounted to the camera. Ensure the lens is focused correctly on the subject using either autofocus or manual focus. Check that the aperture is not set too wide if edge-to-edge sharpness is critical, although T1.8 is inherently softer than stopped-down apertures.

Blue flares are not appearing as expected

Blue flares are typically produced by strong, direct light sources hitting the front element. Ensure there is a direct light source (like a lamp, sun, or hard light) at an angle that will create streaks. The intensity and direction of the light will affect the flare appearance.

Lens is not recognized by the camera

Double-check that you have the correct mount version for your camera. Ensure the lens is fully seated and locked onto the camera mount. Try cleaning the electrical contacts on both the lens and the camera mount.

Pros and Cons

Pros

  • Achieves a true cinematic widescreen 2.35:1 aspect ratio.
  • Fast T1.8 aperture is excellent for low light and shallow depth of field.
  • Autofocus adds convenience for run-and-gun style shooting.
  • Consistent optical performance across the three focal lengths.
  • Durable, weather-sealed construction for reliable use in the field.
  • Choice of blue flare or neutral flare for different aesthetic preferences.

Cons

  • Requires specific camera mounts (L, E, Z); not universally compatible without an adapter.
  • Autofocus performance may vary depending on the camera body.
  • Anamorphic lenses inherently have unique optical characteristics that may require user adaptation.
  • The 1.33x squeeze might require slight adjustments in viewing or editing for some workflows.
  • Minimum focus distances are moderate, potentially limiting extreme close-up shots without additional gear.

Setup, Compatibility & Care

Compatibility: The Sirui Astra Series lenses are available in specific mount options: L Mount, Sony E Mount, and Nikon Z Mount. Ensure the selected lens kit's mount is compatible with your camera body. Using these lenses on cameras with different sensor sizes may affect the field of view and the resulting aspect ratio.

Setup:

  1. Confirm your camera body's mount type matches the lens.
  2. Gently attach the lens to the camera body by aligning the mount indicators and twisting until it locks into place.
  3. If using the AF/MF switch, ensure it is set to the desired mode.
  4. For the click/de-click aperture ring, rotate it to the desired setting before or during shooting as needed.

Care:

  • Cleaning: Use a soft, lint-free microfiber cloth to clean the lens elements. For stubborn smudges, a lens cleaning solution specifically designed for optics can be applied sparingly to the cloth, not directly to the lens.
  • Storage: Store lenses in their protective cases when not in use. Avoid exposing them to extreme temperatures, humidity, or direct sunlight for prolonged periods.
  • Protection: The aluminum alloy body offers triple protection against dust, dirt, and rain. However, avoid submersion in water. After shooting in adverse conditions, gently wipe the lens clean with a dry cloth.

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