Ilford Multigrade IV FB Fibre Paper - Gloss - 24x30.5cm - 50 sheets

Ilford Multigrade IV FB Fibre is a premium quality variable contrast black and white paper on a 25...

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This guide is for photographers seeking a premium black and white darkroom printing paper. The Ilford Multigrade IV FB Fibre Paper offers exceptional quality and versatility for creating stunning prints. A key consideration is its fibre base, which requires specific handling and processing compared to resin-coated papers.

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BrandIlford

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FAQs

What is the difference between fibre-based and resin-coated (RC) paper?

Fibre-based paper has a fibre (barite) layer between the paper base and the emulsion, offering archival permanence and a classic feel. Resin-coated paper has a plastic layer, making it more water-resistant, faster to process, and easier to dry flat.

How long does it take to wash fibre-based paper?

To achieve archival permanence, fibre-based papers require a thorough wash of 30-60 minutes in running water after fixing, especially if a hypo clear is not used. Using a hypo clear or wash aid can significantly reduce this time.

Can I use this paper with my existing Multigrade filters?

Yes, Ilford Multigrade IV FB Fibre Paper is fully compatible with all standard Ilford Multigrade filters and equipment.

What is the archival permanence of this paper?

When processed and washed correctly according to archival standards, Ilford Multigrade IV FB Fibre paper is designed for long-term preservation and is considered an archival-quality printing paper.

How should I store unexposed paper?

Store unused paper in its original packaging in a cool, dry, dark place, away from chemical fumes or excessive humidity.

Can I print from digital files using this paper?

This paper is designed for traditional darkroom printing from physical negatives. To print from digital files, you would first need to create a physical negative from your digital file using a film recorder or specialized printer.

Does the gloss finish affect print handling?

The gloss finish is reflective and can show fingerprints more easily than a matte surface. Handle prints by the edges and consider protective sleeves for storage and display.

Troubleshooting

Prints have poor blacks or washed-out appearance.

Ensure correct developer dilution and temperature. Check the developer's activity; it may need replacing. Verify you are using appropriate contrast filters for the negative's contrast range.

Uneven development or spotting.

Ensure constant and even agitation during development. Check that all trays are clean and free of chemical residue. Avoid dust during drying.

Paper is curling excessively after drying.

Ensure even drying. Use a print dryer designed for fibre papers, or dry flat on a clean, absorbent surface. Consider using a flattening press after the prints are fully dry.

Print is too light or too dark.

Adjust exposure time on the enlarger. Experiment with different contrast filters to achieve the desired tonal range.

Water marks or streaks on the print.

Ensure thorough rinsing after the stop bath and fixer. Use a hypo clear/wash aid before the final wash. Ensure adequate agitation during the final wash.

Pros and Cons

Pros

  • Produces high-quality, sharp black and white prints.
  • Offers excellent tonal range and contrast control.
  • The fibre base provides a premium, archival feel.
  • Compatible with standard darkroom equipment.
  • Versatile for various negative types.

Cons

  • Requires specific processing and drying techniques due to the fibre base.
  • Can be more prone to curling than resin-coated papers.
  • Processing times may be longer compared to RC papers.
  • Higher cost per sheet compared to entry-level papers.

Setup, Compatibility & Care Instructions

Setup: This paper requires standard black and white darkroom printing equipment, including an enlarger, developing trays, chemicals (developer, stop bath, fixer, hypo clear/wash aid), and a safe light.

Compatibility: Fully compatible with all existing Ilford Multigrade filters and enlarger heads. It can be used with negatives processed with standard black and white developers, as well as Ilford XP2 SUPER.

Processing: Follow standard black and white paper processing procedures. Typical steps include:

  1. Development: Immerse the exposed paper in paper developer for the manufacturer's recommended time (usually 60-120 seconds).
  2. Stop Bath: Agitate in a stop bath for 30 seconds to halt development.
  3. Fixer: Place in fixer for 2-5 minutes to make the image permanent.
  4. Hypo Clear/Wash Aid: Use a hypo clear or wash aid for 30-60 seconds to significantly reduce wash times.
  5. Washing: Wash thoroughly in running water. Fibre-based papers require longer wash times than resin-coated papers, typically 30-60 minutes, to ensure archival permanence.
  6. Drying: Carefully squeegee excess water and dry flat, away from direct heat or dust. Air drying on screens or using a print dryer designed for fibre papers is recommended. Avoid excessive heat which can cause curling.

Care: Store unused paper in its original packaging in a cool, dry place, away from light and chemicals.

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