Sigma Cine 18-35mm T2 Zoom Lens - PL Mount

The high-speed Sigma Cine Zoom Line offers a constant aperture of T2 throughout the zoom range, an...

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Wex Photo VideoSigma 18-35mm T2 Cine Zoom Lens - PL Mount - Size 6
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Product Information

Full details

The Sigma Cine 18-35mm T2 Zoom Lens is designed for professional filmmakers working with high-resolution digital cinema cameras (6K-8K). Its key benefit is delivering exceptional optical performance with a constant T2 aperture in a compact, robust package. A potential caveat for some users is the PL mount, requiring specific camera compatibility. This lens offers a wide focal range, high-resolution ready optics, and precise manual control for critical focus and zoom.

All features

BrandSigma

Extended Product Information

FAQs

What is the filter size for this lens?

The Sigma Cine 18-35mm T2 Zoom Lens has a standardized 82mm filter thread size.

Can I use this lens on a camera with an EF mount?

No, this lens features a PL mount and is designed exclusively for cameras equipped with a PL mount. It is not directly compatible with EF or other mounts without specialized adapters, which may not be available or recommended.

What does 'T2' mean for the aperture?

T2 refers to the *transmissivity* of light, which is a more accurate measure for cinema than F-stop. T2 is the effective maximum aperture, indicating how much light the lens transmits.

Is this lens parfocal?

Yes, the Sigma Cine Zoom lenses are designed to be parfocal, meaning the image remains in focus throughout the zoom range.

What is the benefit of the 180° focus and 160° zoom rotation angles?

These extended rotation angles allow for significantly more precise control over focusing and zooming compared to still photography lenses. This precision is crucial for smooth, accurate focus pulls and zooms during professional filmmaking.

How does the standardized color balance help?

Sigma's CCI (Color Consistency Index) standard ensures that the color rendition is consistent across different Sigma cine lenses. This greatly simplifies color grading and matching shots filmed with multiple lenses.

Is the lens suitable for handheld shooting?

While the lens is built to be durable, its weight and size are optimized for use with professional camera rigs, tripods, or gimbals. Handheld use is possible with appropriate support, but it is designed with cine-style shooting in mind.

Troubleshooting

Lens is not communicating with the camera.

This lens uses a PL mount and does not have electronic contacts. Ensure the lens is securely locked onto the PL mount. If you are experiencing issues with focus or zoom operation, check that the rings are moving freely and are not obstructed.

Image appears soft or lacks sharpness.

Ensure the lens is properly focused. Check that the aperture is not excessively wide open if maximum sharpness is required. Clean the front and rear lens elements with a microfiber cloth. Verify that the lens is seated correctly on the camera mount.

Zoom or focus rings are stiff or jerky.

Inspect the rings for any external obstructions. If the issue persists, do not force the rings. Contact Sigma support or a qualified lens technician for professional servicing. Avoid exposing the lens to extreme temperatures or moisture, which can affect mechanical components.

Color rendition seems inconsistent with other lenses.

This lens is designed with Sigma's CCI standard for consistent color balance. Ensure other lenses used in the same project also adhere to similar color standards or are within the CCI range. Proper white balance and color grading in post-production are essential for matching.

Pros and Cons

Pros

  • Exceptional optical quality suitable for high-resolution formats.
  • Constant T2 aperture for consistent exposure and shallow depth of field.
  • Precise and extended manual control rings for focus and zoom.
  • Durable, professional-grade build quality.
  • Standardized front diameter and filter thread simplify workflow.
  • Excellent value for a high-performance cine zoom lens.

Cons

  • PL Mount requires compatible cinema cameras; not suitable for EF/E-mount cameras without an adapter.
  • Manual focus and zoom only; no electronic control.
  • Can be heavier than comparable still photography zoom lenses.
  • Focus breathing may be present during focus pulls (common in zooms).

Setup, Compatibility & Care

Setup:

  1. Ensure your camera body has a PL mount.
  2. Carefully align the lens mount with the camera's PL mount index mark.
  3. Gently rotate the lens clockwise until it locks securely into place. Listen for an audible click.
  4. Attach any desired accessories, such as a matte box using the 95mm front diameter, or filters into the 82mm filter thread.

Compatibility:

  • Camera Mount: Exclusively designed for cameras with a PL mount. Check your camera manufacturer's specifications for mount compatibility.
  • Sensor Coverage: Suitable for full-frame sensors and other large formats, including Super 35mm.

Care:

  • Cleaning Lenses: Use a soft lens brush to remove dust. For smudges, use a microfiber lens cloth and a small amount of lens cleaning solution applied to the cloth, not directly to the lens.
  • Storage: Store the lens in its original case or a padded camera bag when not in use to protect it from dust, moisture, and physical damage.
  • Handling: Avoid touching the lens elements with your fingers. Always handle the lens by its body or focus/zoom rings.
  • Environmental: Protect from extreme temperatures, direct sunlight for prolonged periods, and moisture.

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