Ilford Multigrade IV FB Fibre Paper - 24x30.5cm, 50 sheets

MULTIGRADE IV FB Fibre is a premium quality, variable contrast matt black and white paper on a 255...

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Ilford Multigrade IV FB Fibre Paper is designed for skilled printers and collectors seeking exhibition-quality black and white prints. Its premium, 255gsm fibre base offers a substantial feel and a 'hand-crafted' look, providing excellent contrast control and a matte finish. While it excels in image depth and tonal range, it requires more involved processing and drying techniques compared to resin-coated papers.

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BrandIlford

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FAQs

What is the main difference between fibre-based and resin-coated (RC) papers?

Fibre-based papers have a paper base and are more archival, offering a distinct weight and feel. They require longer washing and more careful drying. Resin-coated (RC) papers have a plastic layer, making them faster to process and easier to dry flat, but they are generally considered less archival and have a different aesthetic.

How do I achieve archival permanence with this paper?

Archival permanence requires thorough washing (at least 30-60 minutes in running water, often aided by a hypo clearing agent) to remove all traces of fixer, followed by careful drying and storage in acid-free materials.

Can I use this paper with a color enlarger head?

Yes, Multigrade papers are designed to be used with filters in the enlarger's light path to control contrast. You can use it with a standard black and white enlarger or a color enlarger with the filtration method.

What is the ISO paper speed of this paper?

The paper speed is ISO P500.

What is the recommended developer for this paper?

Ilford Multigrade IV FB Fibre Paper is compatible with most standard black and white paper developers. Ilford's own Multigrade paper developer is a popular choice, but others like Dektol can also be used effectively.

How should I store unexposed paper?

Store unexposed paper in its original packaging in a cool, dry place away from light, chemicals, and heat sources to maintain its photographic quality.

Troubleshooting

Prints curl excessively during drying

Ensure thorough washing to remove all residual fixer. Use a print flattening solution before drying, or try drying on screens/racks. Consider dry mounting for critical prints.

Uneven toning or staining

Verify that the wash water is circulating adequately and at the correct temperature. Ensure adequate fixing time. Agitate prints consistently throughout the processing baths.

Lack of contrast or dull blacks

Check your developer for exhaustion, ensure correct dilution and temperature. You may need to increase exposure time or use higher contrast filters during printing if your negative is inherently low contrast.

Fingerprints or handling marks on the print surface

Always handle fibre-based papers with clean cotton gloves, especially during the wet processing stages. Avoid touching the emulsion surface directly.

Pros and Cons

Pros

  • Exceptional tonal range and depth
  • Premium, substantial feel of the fibre base
  • Matte finish reduces glare and enhances detail
  • Excellent contrast control for creative printing
  • Ideal for fine art and exhibition prints

Cons

  • Requires more complex processing (washing and drying) than RC papers
  • Can be more susceptible to handling marks if not treated carefully
  • Drying process may lead to curling if not managed properly
  • Longer processing times for full archival washing

Setup, Compatibility & Care

This paper is designed for use in standard darkroom enlargers and printing processes. It is compatible with most black and white photographic developers, fixers, and toners.

Processing:

  1. Exposure: Determine correct exposure using a test strip, considering your enlarger's light source and filters for contrast control.
  2. Development: Develop in a suitable black and white paper developer according to manufacturer recommendations.
  3. Stop Bath: Use a stop bath to halt development.
  4. Fixing: Fix thoroughly in a standard paper fixer. Fibre-based papers require longer fixing times than resin-coated papers for full archival permanence.
  5. Washing: This is a critical step for fibre-based papers. A minimum of 30-60 minutes of continuous washing in running water is typically recommended for archival quality. For even greater permanence, consider hypo clearing agent and additional washing stages.
  6. Drying: Fibre-based papers require careful drying to prevent curling. Options include:
  • Flat Drying: Place prints face up on clean drying racks or screens.
  • Resin Coating (Optional): Applying a print flattening solution before drying can help.
  • Dry Mounting: For perfectly flat prints, dry mounting to a rigid substrate is an option after full drying.

Care:

  • Handle prints with clean cotton gloves to avoid fingerprints, especially before they are fully processed and dried.
  • Store prints in archival quality sleeves or albums in a cool, dry environment away from light.
  • Avoid exposure to high humidity or extreme temperature fluctuations.

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