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Scan Computers£569.99Visit shop Dpa 4099 Core+ Mic With Clip For Guitar 4099-Dp-1-199-G
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This guide is for acoustic musicians and sound engineers seeking a durable, high-fidelity microphone for loud instruments like acoustic guitar and dobro. The DPA 4099 CORE+ Loud SPL excels at capturing rich tonal detail without distortion, even at high sound pressure levels. A potential consideration is its specialized clip design, which may require specific placement for optimal results.
| Model Part Number | 4099-DP-1-199-G |
|---|---|
| Brand | DPA |
While designed for guitar and dobro, the 4099 CORE+ series offers various clips for other instruments like pianos, drums, and brass. With the appropriate mounting accessories (sold separately), it can be adapted for many acoustic sources.
No, the microphone features a standard XLR male connector. You will need a standard XLR to XLR cable to connect it to your audio interface, mixer, or PA system.
The 'Loud SPL' variants are specifically designed to handle higher sound pressure levels (up to 145 dB) compared to standard models, making them ideal for very loud instruments or high-volume performance situations without distortion.
The DPA 4099 CORE+ series typically offers a wide and linear frequency response, generally ranging from around 20 Hz to 20 kHz, designed to capture the full spectrum of acoustic instruments naturally.
The gooseneck is integrated with the microphone capsule and typically connects via a cable to the mounting system. While the cable can often be detached from the gooseneck for storage, the gooseneck itself is usually not designed for removal from the capsule assembly.
The output impedance of the DPA 4099 CORE+ microphones is typically 100 ohms.
Yes, while optimized for live sound, the DPA 4099 CORE+ is also excellent for studio recording of acoustic instruments, offering a clear, detailed, and natural sound that translates well in a mix.
Verify that 48V phantom power is enabled and correctly supplied to the XLR input. Check that all cable connections are secure at both the microphone and the mixer/interface. Ensure the mute switch on your mixer channel is not engaged.
Reduce the input gain on your mixer or audio interface. The microphone is designed for high SPL, but the subsequent preamp stage may be overloaded. Ensure the microphone is not placed too close to extremely loud sound sources if they are not the intended instrument.
Ensure proper grounding of your audio equipment. Test with a different XLR cable to rule out cable issues. Check if the phantom power supply is stable. Ambient electrical interference can also cause noise; try repositioning equipment if possible.
Ensure the clip is attached correctly to the instrument and tightened according to its design. For acoustic guitars, try different positions around the bridge or soundhole where the clip can grip more securely. Clean any debris from the instrument's surface where the clip attaches.
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