NiSi 35mm ATHENA PRIME Full Frame Cinema Lens T1.9 - PL Mount

Introducing the NiSi ATHENA PRIME 35mm Full Frame Cinema Lens T1.9 (PL Mount). This lens is design...

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Wex Photo VideoNiSi Athena 35mm T1.9 Cine Lens PL-Mount
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£919.00
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Product Information

Full details

The NiSi ATHENA PRIME 35mm Full Frame Cinema Lens (PL Mount) is designed for filmmakers seeking exceptional image quality and workflow flexibility. Its standout benefit is the combination of ultra-low chromatic aberration and maximum micro-contrast control for superior detail, alongside a large T1.9 aperture for soft bokeh and background separation. A potential caveat is that PL mount lenses typically require specific camera bodies or adapters.

All features

BrandNiSi

Extended Product Information

FAQs

What is the advantage of the rear filter mount?

The rear filter mount allows you to use filters like ND or polarizers at the rear element of the lens. This protects the front of the lens, simplifies matte box setups, and can prevent vignetting with wide-angle accessories. It also allows for quicker filter changes.

How does the T1.9 aperture benefit my footage?

The T1.9 aperture is a 'true' measurement of light transmission, meaning it lets in a significant amount of light. This is beneficial for shooting in low-light conditions without needing to boost ISO excessively, and it allows for a shallow depth of field, creating pleasing background blur (bokeh) to isolate your subject.

Is this lens suitable for handheld shooting?

Yes, the lens is designed to be matched in weight and size with other lenses in the Athena Prime series. This consistency is particularly helpful when using gimbals or stabilizers, as it minimizes the need for rebalancing when switching lenses.

What does 'minimized focus breathing' mean for a filmmaker?

Focus breathing is the slight change in the lens's field of view as you adjust focus. Minimized breathing means that when you pull focus from one subject to another, the image doesn't noticeably zoom in or out, maintaining a stable composition and ensuring focus pulls look smooth and professional.

Can I use this lens on a camera with an EF or E-mount?

This lens features a PL mount. To use it on cameras with different mounts like Canon EF or Sony E-mount, you will need a specific PL-to-[your mount] adapter. Ensure the adapter is designed for full-frame coverage if applicable.

What is the focus ring rotation and why is it important?

The focus ring has a 300-degree rotation, which provides a generous range for precise focus adjustments. This extended throw, combined with fluorescent scales, allows cinematographers to make very accurate and repeatable focus pulls, which is crucial for professional cinematography.

Troubleshooting

Lens is not recognized by the camera

Verify the PL mount is correctly attached to the camera or adapter. Ensure the lens is fully seated and locked into the mount. Check camera settings for lens compatibility.

Image appears soft or out of focus

Ensure the focus ring is properly adjusted for the desired distance. Clean the lens elements if they are smudged. Confirm the camera's sensor is clean.

Excessive focus breathing is noticeable

While the lens is designed to minimize breathing, extreme focus pulls might still exhibit some. Practice smooth, controlled focus adjustments. Ensure the subject distance is within the lens's optimal range.

Rear filter is difficult to insert or remove

Ensure you are using compatible NiSi rear filters designed for the Athena Prime series. Check for any debris in the filter slot. Insert and remove filters with gentle, steady pressure.

Pros and Cons

Pros

  • Exceptional image quality with fine detail rendering.
  • Versatile T1.9 aperture for low light and bokeh.
  • Integrated rear filter mount for enhanced workflow flexibility.
  • Minimized focus breathing for smooth focus pulls.
  • Consistent physical design across the Athena Prime series for easy lens swapping.

Cons

  • PL mount may require specific camera setups or adapters.
  • Rear filter mount necessitates dedicated rear filters.
  • 35mm focal length is specific and may not suit all shooting styles.
  • While matched, significant weight differences can still occur between lenses in a series.

Setup, Compatibility & Care

Setup:

  1. Ensure your camera body is equipped with a compatible PL lens mount. If not, use an appropriate PL-to-your-camera-mount adapter.
  2. Align the red dot on the lens with the red dot on the camera mount.
  3. Gently insert the lens and rotate it clockwise until it clicks into place.
  4. To use the rear filter mount, ensure the rear cap is removed and insert compatible rear filters into the designated slot.

Compatibility:

  • Mount: This lens features a standard PL mount, primarily used on professional cinema cameras.
  • Sensor Size: Designed for Full-Frame sensors. It can be used on Super35 sensors, but coverage will be smaller.
  • Focus/Iris Gears: Standard cinema pitch gears are present for use with follow focus systems and lens control motors.

Care:

  • Cleaning: Use a lens blower to remove dust. For smudges, use a microfiber lens cloth. For stubborn marks, apply a small amount of lens cleaning solution to the cloth, not directly to the lens.
  • Storage: Store the lens in its protective case or pouch when not in use. Ensure the front and rear caps are attached.
  • Handling: Avoid touching the lens elements directly. Use the provided caps and handle the lens by its barrel.

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