SIRUI IronStar 60mm T1.9 1.5x Cine Lens - PL/EF mount, Blue Flare
The SIRUI IronStar 60mm T1.9 1.5x Cine Lens delivers full-frame coverage with a 46mm image circle ...The SIRUI IronStar 60mm T1.9 1.5x Cine Lens delivers full-frame coverage with a 46mm image circle and a 1.5x constant squeeze ratio for a true anamorphic depth and a distinctive 2.39:1 widescreen aspect ratio on full-frame cameras. Its fast T1.9 aperture ensures crisp low-light performance and smooth oval bokeh, allowing for exceptional low-light performance and a shallow depth of field for enhanced subject separation. This lens features 19 optical elements, including ED, aspherical, and HRI components, for exceptional clarity, minimal focus breathing, and controlled flaring for a polished final product. With its interchangeable PL/EF mount system and integrated back focus adjustment, it offers universal camera compatibility and a flexible workflow. The 60mm lens captures an ultra-widescreen 2.66:1 ratio in 16:9 mode and a 2.25:1 aspect ratio in 3:2 shooting mode, with a minimum focusing distance of 0.78m. It is built with a professional cine-standard 95mm front diameter and 0.8 MOD focus and iris gears for seamless integration with cinema equipment. The lens also offers a signature blue flare for cinematic storytelling, ideal for sci-fi, mystery, and urban environments.
Sirui IronStar 60mm T1.9 Cine Lens 1.5x Anamorphic Blue FlareFree delivery in 1–3 days£999.00Visit shop →
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Product Information
Full details
The SIRUI IronStar 60mm T1.9 1.5x Cine Lens is designed for filmmakers seeking to achieve a true widescreen cinematic look with full-frame coverage and a distinctive anamorphic aesthetic. Its key benefit is the 1.5x constant squeeze ratio, delivering a 2.39:1 aspect ratio and a shallow depth of field with pleasing oval bokeh. A potential caveat is the specific blue flare characteristic, which may not suit all project aesthetics.
All features
Brand
Sirui
Extended Product Information
FAQs
What is the effective aspect ratio with this lens?
When used on a full-frame camera, the 1.5x squeeze ratio results in a 2.39:1 widescreen aspect ratio. On a 16:9 sensor, it produces approximately a 2.66:1 image. On a 3:2 sensor, it yields approximately 2.25:1.
Can I use this lens on a Super35 camera?
Yes, the lens can be used on Super35 or APS-C cameras. However, it will not provide full-frame coverage, and the effective focal length and squeeze ratio may differ slightly from full-frame usage.
How do I achieve the signature blue flare effect?
The blue flare is an inherent optical characteristic of this specific lens version. It is most noticeable when a strong light source is positioned at an angle to the lens. You can control its intensity and placement by adjusting camera position and lighting.
What is 'focus breathing'?
Focus breathing refers to the change in focal length (and thus field of view) as you adjust focus. This lens is designed to minimize focus breathing for smoother focus transitions during video recording.
Does this lens come with both PL and EF mounts?
This specific model is designed with an interchangeable mount system. Typically, you would purchase the lens with one mount, and additional mounts may be available separately, or the lens is sold in configurations that include both.
What is the minimum focusing distance?
The minimum focusing distance for the SIRUI IronStar 60mm T1.9 1.5x Cine Lens is 0.78 meters (approximately 2.56 feet).
Is this lens suitable for still photography?
While designed for cinema, it can be used for still photography. However, the anamorphic nature and specific flare characteristics are primarily intended for video production.
Troubleshooting
Lens not recognized by camera
Ensure the correct mount (PL or EF) is securely attached and that the camera's electronic contacts are clean. If using EF mount, verify camera compatibility.
Soft or out-of-focus images
Re-adjust the back focus. Ensure the focus ring is set correctly and verify focus using live view or a monitor. Check if focus breathing is minimized by adjusting focus slowly.
Excessive flaring or ghosting
Use a compatible matte box with flags to control ambient light. Ensure the lens hood is properly attached if applicable. Note that the blue flare is a characteristic of this lens and may be desired.
Focus or iris gears are stiff
Do not force the gears. Ensure no debris is obstructing movement. If stiffness persists, consult a professional technician.
Pros and Cons
Pros
Achieves a true cinematic widescreen aspect ratio (2.39:1) on full-frame sensors.
Excellent low-light performance due to the fast T1.9 aperture.
Provides a desirable shallow depth of field and distinctive oval bokeh.
Offers versatile camera compatibility with interchangeable PL/EF mounts.
Advanced optics minimize focus breathing and deliver sharp images.
Professional cine-standard gearing for smooth focus and iris control.
Cons
The signature blue flare may not be suitable for all types of productions.
The 60mm focal length might be considered moderately long for some narrative applications.
Requires compatible cinema accessories due to its professional build standards.
Anamorphic shooting requires specific understanding of distortion and de-squeezing workflows.
Setup, Compatibility & Care
Setup:
Mounting: Ensure your camera is compatible with either a PL or EF mount. Select the appropriate mount for your camera system and attach the lens securely.
Back Focus Adjustment: Use the integrated back focus adjustment mechanism to fine-tune the flange focal distance for optimal sharpness on your specific camera.
Accessories: Attach follow focus units and matte boxes using the integrated 0.8 MOD gears and 95mm front diameter.
Compatibility:
Camera Mounts: Compatible with cameras utilizing PL or EF lens mounts.
Sensor Coverage: Designed for full-frame sensors, providing coverage for a 46mm image circle. It can also be used on Super35/APS-C sensors, which will result in a different effective focal length and field of view.
Care:
Cleaning: Use a soft, lint-free lens cleaning cloth to gently wipe the lens elements. For stubborn smudges, use a lens cleaning solution sparingly on the cloth, never directly on the lens.
Storage: Store the lens in its protective case when not in use to prevent dust and damage. Avoid extreme temperatures and humidity.
Handling: Always handle the lens by its body, not the lens hood or mount, to avoid strain on internal components.