Sigma Cine High Speed Zoom Lens Kit - Sony Mount

The Sigma Cine High Speed Zoom Lens Kit for Sony E Mount includes the 50-100mm T2 and 18-35mm T2 l...

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Wex Photo VideoSigma 50-100mm T2 and 18-35mm T2 Cine High Speed Zoom Lens Kit
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Product Information

Full details

This Sigma Cine High Speed Zoom Lens Kit, designed for Sony E Mount, is ideal for professional filmmakers and videographers shooting with Super 35mm formats. Its key benefit is delivering exceptional optical performance with a constant T2 aperture across the zoom range, supporting resolutions up to 8K. A potential caveat is the specialized nature of cine lenses, requiring a learning curve for those accustomed to still photography lenses.

All features

BrandSigma

Extended Product Information

FAQs

What is the difference between T-stop and F-stop?

An F-stop is a calculated measurement of aperture, while a T-stop (Transmission stop) is a measured amount of light that passes through the lens to the sensor. T-stops are considered more accurate for cinematography as they account for light loss within the lens elements, ensuring consistent exposure.

Are these lenses suitable for full-frame cameras?

These lenses are designed for Super 35mm format. They may cover full-frame sensors but will likely exhibit significant vignetting (darkened corners) at wider focal lengths and apertures. They are best used with Super 35mm shooting modes on full-frame cameras or on dedicated Super 35mm bodies.

Can I use filters with this lens kit?

Yes, both lenses have a standardized 82mm filter thread on the front, allowing you to attach standard screw-in filters.

How do I clean the lens elements?

First, use a rocket blower or air puffer to remove loose dust. For stubborn marks, apply a specialized lens cleaning fluid to a microfiber lens cloth (never directly onto the lens) and gently wipe the element in a circular motion from the center outwards.

What is the warranty period for these lenses?

Please refer to Sigma's official warranty documentation for the specific warranty period and terms applicable in your region.

Do these lenses have image stabilization?

No, these are manual cine lenses and do not feature optical image stabilization. Stabilization would typically be handled by the camera body (if available) or via external stabilization systems like gimbals or tripods.

How does the standardized color balance help?

By maintaining consistent color rendition across the zoom range and between the two lenses, it significantly reduces the time and effort required in post-production color grading to match shots filmed with different lenses or focal lengths.

Troubleshooting

Lens will not mount to camera.

Ensure the lens and camera mounts are clean. Verify you are using the correct E-mount version and that no obstructions are present in the camera mount.

Image is blurry or soft.

Ensure the lens is properly focused using the manual focus ring. Check that the aperture is set correctly and that the camera's focus mode is set to manual.

Exposure changes unexpectedly when zooming.

This is a constant T-stop lens, so exposure should remain consistent. If changes occur, check camera settings and ensure no automatic exposure adjustments are active.

Zoom or focus ring is stiff.

Ensure no debris is on the rings. Avoid applying excessive force. If stiffness persists, contact customer support as extreme temperature changes can sometimes affect lubrication.

Vignetting is present in the image.

This is expected if using Super 35mm lenses on a full-frame camera without crop mode. Ensure you are using the appropriate camera settings for your lens coverage or accept the vignetting.

Pros and Cons

Pros

  • Consistent T2 aperture for low light and exposure control.
  • High optical quality suitable for 8K production.
  • Durable all-metal construction for professional use.
  • Precise manual focus and zoom control with large rotation angles.
  • Standardized fittings (95mm front, 82mm filter) for cine accessories.
  • Consistent color balance across both lenses.

Cons

  • Designed specifically for Super 35mm sensors; may have vignetting on larger formats.
  • Requires manual focus and zoom operation, not autofocus.
  • Cine lens ergonomics may differ from still photography lenses.
  • Kit includes two lenses; may not suit users needing a single, versatile lens.
  • Can be a significant investment for independent creators.

Setup, Compatibility & Care

Compatibility: This kit is designed for cameras with a Sony E-Mount. Ensure your camera body is compatible with full-frame or APS-C (Super 35mm) E-mount lenses. While designed for Super 35mm, it may cover larger sensors with potential vignetting at certain focal lengths or apertures.

Setup:

  1. Remove the rear lens cap.
  2. Align the red dot on the lens mount with the red dot on the camera's E-mount.
  3. Insert the lens and rotate it clockwise until it clicks into place.
  4. Attach any desired accessories, such as a matte box to the 95mm front barrel or filters to the 82mm thread.

Care:

  • Cleaning: Use a blower brush to remove loose dust from lens elements. For smudges, use a lens cleaning solution with a microfiber cloth, applying the solution to the cloth, not directly to the lens. Avoid touching the lens elements with your fingers.
  • Storage: Store lenses in the provided hard case when not in use to protect them from dust, moisture, and impact. Ensure lens caps are securely attached.
  • Handling: Always handle lenses by their barrels, avoiding excessive force on the zoom or focus rings. Mount and dismount lenses carefully to prevent damage to the lens mount or camera body.

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