Oberheim OB-6 - 6-Voice Polyphonic Analogue Synthesiser

The OB-6 is a six-voice polyphonic analogue synthesizer that combines the engineering artistry of ...

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Product Information

Full details

The Oberheim OB-6 is a premium six-voice polyphonic analogue synthesizer designed for professional musicians and sound designers who demand classic, punchy analogue character integrated with modern workflow enhancements. It offers the rare collaboration of engineering legends Tom Oberheim and Dave Smith, providing an authentic, fully analogue signal path with flexible modulation capabilities. While it delivers exceptional sonic depth, potential users should note that the limited six-voice polyphony may require careful arrangement planning for complex, layered chordal passages.

All features

Model Part NumberOB-6
BrandOberheim

Extended Product Information

FAQs

Does the OB-6 have a fully analogue signal path?

Yes, the audio signal path—including the oscillators, filters, and amplifiers—is 100% analogue.

Can I save my own sound designs?

Yes, the instrument includes 500 user-programmable patch slots, in addition to 500 factory programs.

Does the keyboard support aftertouch?

Yes, the four-octave keyboard supports both velocity sensitivity and channel aftertouch for expressive performance.

Are the digital effects processed in analogue or digital?

The effects are 24-bit/48kHz digital, designed to be studio-quality while maintaining the integrity of the analogue signal.

Can the OB-6 act as a MIDI controller?

Yes, it sends and receives MIDI data, allowing you to use it as a controller for soft synths or other hardware gear.

What kind of filters does it use?

It uses a 2-pole state-variable resonant filter, which provides high-pass, low-pass, band-pass, and notch modes.

Troubleshooting

Notes cut off unexpectedly

You may have reached the six-voice limit. Consider simplifying your playing style or adjusting the release time of your envelopes.

Effects sound noisy or distorted

Check your input gain settings on the external audio interface or mixer to ensure the signal is not clipping the inputs.

Sequencer will not start

Check the Clock Source setting. If it is set to MIDI/USB, the OB-6 waits for a clock signal from an external device before starting.

Pros and Cons

Pros

  • Authentic, punchy analogue tone derived from discrete circuitry
  • Intuitive, knob-per-function interface ideal for sound design
  • High-quality digital effects that complement the analogue signal without muddying it
  • Robust construction suitable for both studio and stage environments
  • Deep modulation possibilities through the X-Mod section

Cons

  • Six-voice limit can lead to voice stealing during dense polyphonic playing
  • Higher price point reflecting the premium build and engineering
  • Lacks extensive menu-diving features, which may limit micro-editing compared to digital synths

Setup, Compatibility & Care

To begin, connect the OB-6 to your audio interface using balanced 1/4" cables. Ensure the device is placed on a stable stand. The unit features standard MIDI In/Out/Thru ports, allowing it to integrate seamlessly into a wider hardware setup or a DAW-based environment. To maintain the unit, keep it in a dust-free environment and use a soft, dry microfiber cloth to clean the casing. Avoid spraying cleaners directly onto the knobs or keys. Periodically back up your custom user programs via MIDI SysEx to ensure you do not lose your sound designs in the event of a factory reset.

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